Lossless sound Ivo Perelman & Matthew Shipp – Callas (2015) FLAC (tracks+.cue) music download

Ivo Perelman & Matthew Shipp – Callas (2015)
FLAC (tracks+.cue) | Tracks: 16 | Playtime: 01:17:46 | Size: 340 MB
Genre: Jazz, Avant-Garde | Label: Leo Records | Released: 2015

Yes, that’s exactly, the tenor Maria Callas, the archetypal diva both onstage moreover away, who possessed a say furthermore thespian bearing which held followings spellbound. Her parts tended to be of wronged women, although it could be said that there’s hardly some additional description of chick in Italian opera (beside the complaint of the Macbeths, there’s wee of curiosity during the drift of rightful like scuds persuasive). In numerous courses, she appertains to a history cycle – perhaps constant a Golden Day of opera output – however her presentations stay inspirational.

Separately from the peerless Porgy moreover Bess, the solely additional outings I can recognize on which jive also opera get met are Dave Burrell’s La Contend De Boheme (BYG, 1970) – an record I’ve never truly got – Louis Sclavis’ Les Rages De Rameau (ECM, 1996) — infectious pulses from the French irregular – besides Joe Lovano’s Viva Caruso (Downcast Indication, 2002) – Lovano’s luminous tenor in suitably sumptuous contexts. Besides, Callas is hardly perfectly the moot digit puissance anticipate. Beside touching alternative late books, there’s an underhand rapport among the music plus what inspired it, view: the Matthew Shipp Trinity’s To Duke, Raphael Roginski’s Sees John Coltrane snd Langston Hughes. African Cabalistic Music, further Soko Steidle’s Played Ellington (Jazzwerkstatt, 2015). To enjoy reason, you desire to grasp the experience.

Amid 2014, Perelman suffered difficulties that were traced to hellos share of a second-embouchure to accomplish the towering indicates, resulting in a physiological respond alike to what chances whereas singing. Afterwards speaking to opera tenors, he took voice also respiration lectures, moreover started to repair. “Now I exist as if I were a vocalist; I reflect as if I am a singer.” When this practice, Perelman listened to opera, finally to Maria Callas uniquely, moreover started playing along to her recordings. This reached a moment where he was playing her melodys on hellos saxophone “commentary for note, tone for accent, subtlety for subtlety”. He besides went toward the shop among Mathew Shipp (piano) besides they recorded in the everyday via, lacking some preliminary rap.

1 Lucia 5:59
2 Tosca 5:03
3 Rosina 4:56
4 Mimi 6:19
5 Medea 5:28
6 Violetta 5:42
7 Leonora 6:03

2 Aida 4:01
3 Maddalena 8:20
4 Turandot 4:15
5 Abigaille 0:59
6 Norma 4:15
7 Aleeste 3:30
8 Louise 4:23
9 Giulia 5:31

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