Maria Schneider Orchestra – The Thompson Fields (2015)
FLAC (tracks+.cue) | Tracks: 8 | Playtime: 00:77:25 | Size: 439.7 MB
Genre: Modern Big Band | Label: ArtistShare | Cat#: AS 0137
There’s a mammon of info to be discovered private the attractive packaging that accompanies this freedom, however a laconic Theodore Roosevelt cite might be the most convincing shred of passage to be discovered there. It peruses: “There is naught another empirical in the butt than the protection of cutie, than the saving of anything that requests to the superior feelings in people.” That very votes it many about this sculptor plus her process, for there is nonentity further efficient of harnessing griefs in music furthermore prominent plus sustaining the hottie plus faculty of the inborn mankind in timbre than Maria Schneider. She’s demonstrated that clock moreover again, plus she does it quondam more on this amaze-inspiring vent.
The Thompson Provinces reachs later a wordy gestation: eight years afterwards the endure Maria Schneider Symphony book—the comely Celestial Gloomy (ArtistShare, 2007). However if it grabs Schneider that tedious to provide prim start to this element of recorded music, so be it. You can’t hurry excellence, moreover this music is as near as you can gain to that elevated plus unattainable intention. Over these eight routes, the Maria Schneider Symphony puts ornithological perfects against watch (“Judges Of Growth”), processs among nebulous melodys further portentous concepts (“Nimbus”), grabs a cruise against Brazilian turf (“Lembranca”), reimburses gratitude to united of its confess dearly departed components (“A Tinker’s Aria”), plus canteens the attractively sophisticated lingering bouquets of nostalgia plus sentimentality.
As always, the eccentric personalities in this symphony hand to promote the music. Gary Versace’s accordion wistfully smidgens its street over spacious scenes; Dapper Kimbrough’s piano is primitive, conjuring notions of slow airs besides the sunrise moisture; Scott Robinson tours the alto clarinet toward a matter of refinement plus doll (“Afoot By Flashlight”); Marshall Gilkes’ trombone also Greg Gisbert’s fluegelhorn apiece lean the grave moreover the wondrous in their dictions, yet passage lanes during cresting the billows of the orchestra (“The Czar Also The Milkweed”); besides guitarist Lage Lund tugs on radiance further potency, spinning them both backward external in controlled tailor. Those are merely a some of the noteworthy calls, dutys, further contracts, however those recitals, admittedly, slip ephemeral. No newss can correctly assign the phenomenons fixed in this music.
01. Walking By Flashlight (5:01)
02. The Monarch And The Milkweed (12:08)
03. Arbiters Of Evolution (14:00)
04. The Thompson Fields (10:00)
05. Home (7:46)
06. Nimbus (9:30)
07. A Potter’s Song (5:29)
08. Lembranca (13:30)
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