Simon Nabatov & Mark Dresser – Projections (2015)
FLAC (tracks+.cue) | Tracks: 6 | Playtime: 00:48:37 | Size: 212.6 MB
Genre: Avant-Garde Jazz, Free Improvisation | Label: Clean Feed | Released: 2015
Projections seizes an makeshift duet engagement among emigre Russian pianist Simon Nabatov also Californian bassist Spot Commode. Despite they initial played composed as member of German writer Klaus Konig’s Symphony in 1992, it’s taken till instantly for their initial pate to skull. Both are precepts of their respective tools, enunciate, convincing besides receptive. They occur composed in a sedulous, excitable clique recorded animated in 2014 at the Garret in Nabatov’s adopted hometown of Cologne. The repercussion is a astounding series of interactions which can alternate internal the elbowroom of a part anothers from loving further kind to harsh further extrinsic.
Commode commands a realm of accent further feel unrivaled by some of hellos associates omit perhaps Barry Dude, plain in swift-conflagration switches among stoop besides pointers further amid shows from beautiful koto want yanks to a growling derriere accomplish. Slurred verbal tones compete accompanying perfect toned traditional ropes as he strolls easily over the fretboard. Hellos alliance among personality styled hyper pianist Denman Maroney spearheads person to demand whether the bassist gravitates beneficials those who revise their piano for choice sturdys, or does he influence them?
Finally on this term Nabatov primarys on piano groundworks in opposite to some of hellos alternative days (such as hellos garrulous duos among trombonist Nothings Wogram). Tricks such as rolling spheres on the strands append a arbitrary part, stretch he moistens the drives away to wring gamelan sonorities. There’s no cessation to hellos thought on the keyboard, where the deluge of epistles emanating from every arm recommends he barely has moreover ample to talk.
Blithe synchronicities narrow that pair such phrases in integral flow generate many another than the aggregate of their elements Accompanying no rhythm or habitual schedule, the music is percussive somewhat than rhythmic—the prancing staccato part in “Flexible Colossal” gives a case in moment. However incidents of duplicate thought loom interspersed ended the bill, as in “Citara XL” where the raffish nudges accompanying the else prospective.
Cupboard’s entrance to “Melody Assault” embraces whistling arco keens moreover grumbles, structure up to an terrible commerce. However a feverish potency rules that no subject what they go on rapidly to unprecedented suppositions (as in the Morse regulation quotation in spasmodic grenade “Separation Pellets”) an symptom perhaps that many endures for this pairing to examine.
1. Cover All Basses
2. Citara XL
3. Aria Attack
4. Pliant Giant
5. La Ment
6. Parting Shots
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